One of the most fascinating figures of the 18th century was the Chevalier de Saint-Georges, a composer, violinist, fencing champion and military hero whose fame spanned continents. That he was black, born in 1745 to a white planter and his slave mistress in Guadeloupe, not only shaped his life in France but has fed a growing interest in him today.

Though Saint-Georges’s life reads like a Hollywood screenplay, it was his musical talent that most interested Gabriel Banat, a concert violinist and musicologist whose biography, “The Chevalier de Saint-Georges: Virtuoso of the Sword and the Bow,” was published by Pendragon Press in 2006.

“He’s not a Mozart, but his innovative violin technique makes him a bridge between Italian virtuosos like Vivaldi and Locatelli and Beethoven in his violin writing,” Mr. Banat said in an interview in his home here. “He did a lot for the violin in bringing Italian virtuoso technique to the great masters.”

Saint-Georges, who died in 1799, wrote 14 violin concertos, 8 symphony concertantes and 5 operas, among other works.

 Now retired, Mr. Banat, 81, has spent years researching and writing about Saint-Georges, who made music in the court of Marie Antoinette and went on to lead a regiment of black soldiers in the French Revolution.

“A Swashbuckling Violinist, Fresh From the 1700s”

[Joseph Bologne, Chevalier de Saint-Georges. Print after Mather Brown, France, c. 1790s]

Watercolor of Henry Angelo’s Fencing Academy, by Thomas Rowlandson, 1787. The Chevalier St. George’s portrait, foils, and fencing shoes are displayed on the right wall.

(via preux-chevalier)