broodingsoul:

broodingsoul:

You know what I want out of a Buffy reboot? I want a trans slayer. I want someone assigned male at birth but pre-transition to show up with all the slayer abilities and everyone to be like “a boy slayer wtf???!!!” and then she’s like “oh I’m a trans woman” and everyone is like “ohhhhh.” I want the slayer line to transcend biology and genetics. I want slayer powers to be something so innate that it’s tied into one’s own gender identity. Please. Give me a trans slayer.

Y’all this is pissing off terfs in the Buffy fandom, reblog it to support trans women and piss off terfs

snorlaxatives:

people always talk about pancakes and waffles, which are both delicious don’t get me wrong, but no one ever acknowledges french toast and it’s just not right! french toast is iconic and deserves more fans! we love her

we-are-here-pals:

trans-guy-positive:

Okay so, I have this possibly helpful tip/product for trans guys. I know it might seem like a small thing but often with trans dudes the smallest things can make a huge difference.

So, basically I found these underwear (made by Hanes) that are technically women’s underwear but they just look like boxers. (heres a picture)

Now, the reason I’m highly recommending these is because they’re made to fit a female body. The inside even has a place you can put a pad so you don’t have to wear those girly panties for a week each month (if that applies to you, it’s a definite plus).
Not to mention they’re affordable (i found a two-pack on sale for 5$) and, since they’re technically women’s underwear, it might be easier to slide by the lesser-supportive parents and the like.

Again, this seems like a really small and dumb thing, but dysphoria’s a bitch and I know y’all just want somethin’ comfy between you and those jeans.

Look at thIS!!

– mod Oliwer

brynwrites:

Making your angst hurt: the power of lighthearted scenes. 

I’m incredibly disappointed with the trend in stories (especially ‘edgy’ YA novels) to bombard the reader with traumatic situations, angry characters, and relationship drama without ever first giving them a reason to root for a better future. As a reader…

  • I might care that the main siblings are fighting if they had first been shown to have at least one happy, healthy conversation. 
  • I might cry and rage with the protagonist if I knew they actually had the capacity to laugh and smile and be happy.
  • I might be hit by heavy and dark situations if there was some notion that it was possible for this world to have light and hope and joy to begin with.

Writers seem to forget that their reader’s eyes adjust to the dark. If you want to give your reader a truly bleak situation in a continually dim setting, you have to put them in pitch blackness. But if you just shine a light first, the sudden change makes the contrast appear substantial.

Show your readers what light means to your character before taking it away. Let the reader bond with the characters in their happy moments before (and in between) tearing them apart. Give readers a future to root for by putting sparks of that future into the past and the present. Make your character’s tears and anger mean something.

Not only will this give your dark and emotional scenes more impact, but it says something that we as humans desperately, desperately need to hear. 

Books with light amidst the darkness tell us that while things are hard and hurt, that we’re still allowed to breathe and hope and live and even laugh within the darkness.

We as humans need to hear this more often, because acting it out is the only way we stop from suffocating long enough to make a difference.

So write angst, and darkness, and gritty, painful stories, full of treacherous morally grey characters if you want to. But don’t forget to turn the light on occasionally.

Support Bryn’s ability to provide writing advice by reading their debut novel, an upbeat fantasy about a bloodthirsty siren fighting to return home while avoiding the lure of a suspiciously friendly and eccentric pirate captain!