I think fanfiction is literature and literature, for the most part, is fanfiction, and that anyone that dismisses it simply on the grounds that it’s derivative knows fuck-all about literature and needs to get the hell off my lawn.

Most of the history of Western literature (and probably much of non-Western literature, but I can’t speak to that) is adapted or appropriated from something else. Homer wrote historyfic and Virgil wrote Homerfic and Dante wrote Virgilfic (where he makes himself a character and writes himself hanging out with Homer and Virgil and they’re like “OMG Dante you’re so cool.” He was the original Gary Stu). Milton wrote Bible fanfic, and everyone and their mom spent the Middle Ages writing King Arthur fanfic. In the sixteenth century you and another dude could translate the same Petrarchan sonnet and somehow have it count as two separate poems, and no one gave a fuck. Shakespeare doesn’t have a single original plot—although much of it would be more rightly termed RPF—and then John Fletcher and Mary Cowden Clarke and Gloria Naylor and Jane Smiley and Stephen Sondheim wrote Shakespeare fanfic. Guys like Pope and Dryden took old narratives and rewrote them to make fun of people they didn’t like, because the eighteenth century was basically high school. And Spenser! Don’t even get me started on Spenser.

Here’s what fanfic authors/fans need to remember when anyone gives them shit: the idea that originality is somehow a good thing, an innately preferable thing, is a completely modern notion. Until about three hundred years ago, a good writer, by and large, was someone who could take a tried-and-true story and make it even more awesome. (If you want to sound fancy, the technical term is imitatio.) People were like, why would I wanna read something about some dude I’ve never heard of? There’s a new Sir Gawain story out, man! (As to when and how that changed, I tend to blame Daniel Defoe, or the Modernists, or reality television, depending on my mood.)

I also find fanfic fascinating because it takes all the barriers that keep people from professional authorship—barriers that have weakened over the centuries but are nevertheless still very real—and blows right past them. Producing literature, much less circulating it, was something that was well nigh impossible for the vast majority of people for most of human history. First you had to live in a culture where people thought it was acceptable for you to even want to be literate in the first place. And then you had to find someone who could teach you how to read and write (the two didn’t necessarily go together). And you needed sufficient leisure time to learn. And be able to afford books, or at least be friends with someone rich enough to own books who would lend them to you. Good writers are usually well-read and professional writing is a full-time job, so you needed a lot of books, and a lot of leisure time both for reading and writing. And then you had to be in a high enough social position that someone would take you seriously and want to read your work—to have access to circulation/publication in addition to education and leisure time. A very tiny percentage of the population fit those parameters (in England, which is the only place I can speak of with some authority, that meant from 500-1000 A.D.: monks; 1000-1500: aristocratic men and the very occasional aristocratic woman; 1500-1800: aristocratic men, some middle-class men, a few aristocratic women; 1800-on, some middle-class women as well). What’s amazing is how many people who didn’t fit those parameters kept writing in spite of the constant message they got from society that no one cared about what they had to say, writing letters and diaries and stories and poems that often weren’t discovered until hundreds of years later. Humans have an urge to express themselves, to tell stories, and fanfic lets them. If you’ve got access to a computer and an hour or two to while away of an evening, you can create something that people will see and respond to instantly, with a built-in community of people who care about what you have to say.

I do write the occasional fic; I wish I had the time and mental energy to write more. I’ll admit I don’t read a lot of fic these days because most of it is not—and I know how snobbish this sounds—particularly well-written. That doesn’t mean it’s “not good”—there are a lot of reasons people read fic and not all of them have to do with wanting to read finely crafted prose. That’s why fic is awesome—it creates a place for all kinds of storytelling. But for me personally, now that my job entails reading about 1500 pages of undergraduate writing per year, when I have time to read for enjoyment I want it to be by someone who really knows what they’re doing. There’s tons of high-quality fic, of course, but I no longer have the time and patience to go searching for it that I had ten years ago. But whether I’m reading it or not, I love that fanfiction exists. Because without people doing what fanfiction writers do, literature wouldn’t exist. (And then I’d be out of a job and, frankly, I don’t know how to do anything else.)

“As a professor, may I ask you what you think about fanfiction?” (via meiringens)

This is awesome and so good to remember. And for those of us that do write fanfic, the feedback helps us to stretch an grow and become better writers and maybe write more then the fanfic (not that theres anything wrong with the fanfic of course!). I know for me personally this amazing experience has given me the confidence to switch my major from something ‘safe’ to something I really want to do.

thewritingberry:

only-a-beatles-song:

Is it just me, or do other people over react while reading fanfics? I could just be sitting in my bedroom, and I’ll read a good part, and I’ll just randomly screaming and jump around..

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If my fanfic ever makes you do this tell me. It will make my month.

So far this month I’ve written 6899 words of fanfic and 5157 of my Nanowrimo novel. Guess we know where my priorities lie.

ishipanarmada:

batmanlockedmeinthetardis:

thisrohirrimisnoman:

1reasonand1reasonolny:

harryriles:

“what are you reading?”

“its a…online book.”

“oh cool, what’s it about?”

“….uh….”

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I love that everyone just knows

Or…alternately:

“what are you writing?”

“it’s a….story.”

“oh cool, what’s it about?”

“…uh…”

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Fun story. My coworker picked up one of my notebooks off my desk (i write smut at work, yes). I was like “Um…that’s not really your wheelhouse”. 

She read it anyway…most of it…. And wanted to know more. So I gave her my AO3 name…

Has anyone else noticed how much our fanfic terms sound like drugs?

trogdorthe-burninator:

a-sassing-creed:

davekatwhisperer:

romanosauce:

sherlock-the-trickster:

Let’s see here, we got slash, crack, lemon, lime, PWP, fluff, angst, AU. Seriously, it’s like some sort of shady fanfic underground.

Hitting up the alleyways trading doujin in paperbags.

theres slash being traded for crack and au downtown but you didnt hear it from me

so basically we’re all pirates who do drugs

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But the funny thing about that is we (as readers/viewers) sometimes miss out on information that might have been interesting. The author didn’t think it was, but fans? Most fans will soak up content like a sponge (see: LotR extended editions, cutscenes, etc). And so we’re likely to ask ridiculous questions like “What is laundry day like at Avengers Tower?” – not because it’s important to the narrative, but because we’re curious.

Not to mention: every narrator is an unreliable narrator. Especially the ones who seem the most straightforward. Which means there are a wealth of stories not being told hiding right behind the story that is.

Which, I think, gives an inkling of the primary difference between original fic and fanfic: original fic is declarative, saying “here is the story, these are the important events and characters and aspects of the world,” while fanfic is exploratory (even when it’s got a cracking good plot).

Fanfic exists in the interstices, in the ellipses and the enjambment. Fanfiction exists in the moment before the wave function collapses.