racetrak-higgins:

Getting friends in to musicals is hard because when they ask what it’s about you have to be like “15 year olds having sex” or “a plant from outer space that takes over the world” or “teenagers killing people for fun” or “Alexander Hamilton”

Revolutionary Musicals:

quiet-uptown:

I recently had a conversation with my older cousin of 4 years, discussing how my generation of teenagers never got a “revolutionary” musical of our time, as she did with Spring Awakening. Well we did, actually:

Kids born in the late 40′s and 50′s got to experience West Side Story in their teens, a revolutionary show about teenagers in love, stricken by gangs and racial differences. 

Kids born in the 60′s got to experience A Chorus Line, a revolutionary show about young adults desperate to succeed in what makes them complete.

Kids born in the late 70′s and 80′s got to experience Rent, a revolutionary show about young adults and the struggle to maintain an artistic and free lifestyle in a rapidly changing society.

Kids born in the early 90′s got to experience Spring Awakening, a revolutionary show about teenagers like them, struggling to communicate and express their emotions with adults, set to modern music.  

What do we late 90′s kids get, huh? Well I’ll tell you- we get a revolutionary show …about the revolution. We get Hamilton- a show about young adults who just so happen to be the Founding Fathers. Told in a way that we millennials, even now, can directly relate to. 

So just because I wasn’t quite old enough to understand Spring Awakening, and too young to experience the phenomenon that Rent was in the late 90′s, doesn’t mean that I missed out on that “revolutionary” show of the generation. That’s why I care about Hamilton. Sitting in the front row of the Richard Rodgers Theatre on July 17th, 2015, at one of the show’s first Broadway previews, with my favorite person in the world sitting right next to me, changed my life. The very same way that “that one special show” had been changing young adults of the generations before me. 

Ok but why are musicals so fucking weird

eggzacklee:

screamoftheshalka:

Little Shop of Horrors: An alien plant arrives on 1960s Earth, convinces a man of feeding her a dentist, eats him and goes on a rampage for world domination.
The Rocky Horror Picture Show: A pansexual alien transvestite builds a living sex toy, kills an undead delivery boy and is murdered by one of his servants after promoting a cabaret Floor Show on the basement of his spaceship-castle.

Sweeney Todd: A barber and a piemaker are partners in crime. He’s a serial killer and she bakes meat pies filled with the flesh from his victims.
Les Miserables: A man can’t find a decent job for being an ex-convict, breaks his parole and is stalked for the rest of his life by a police inspector.
Wicked: Wizard of Oz fanfic that turns out to be better than the original material.

Don’t forget:

West Side Story: Romeo and Juliet but with greasers

The Lion King: Hamlet but with lions

Chicago: Woman avoids murder charge and becomes a famous jazz singer by pretending to be pregnant and smiling a lot

The Frogs: God of booze tries to resurrect a playwright in order to save the world from…frogs????

Joseph and the Amazing Technicolor Dreamcoat: The Bible feat. Elvis

The Book of Mormon: The Bible feat. Homosexuality

Rent: The Gays’ rent is too damn high

Mama Mia: Dancing queen, young and sweet, only 17, sings Abba

muppetmolly:

Act 1 in a musical: Humor and upbeat songs, colorful characters. Laughter all around. 

Act 2 in a musical: EVERYTHING FALLS TO SHIT. PEOPLE ARE DYING. HEARTS ARE BREAKING. ABORT THE THEATRE.