unpretty:

unpretty:

“villain attempts to go back in time to kill superman as a small child, gets shot in the face by ma kent, who buries him behind the barn with the others” would probably have niche appeal as a comic but i don’t care, i want it

The first time a man from the future showed up at Martha Kent’s house, Clark Kent was two years old.

According to his birth certificate, anyway. She just kind of accepted that the details were a little fudged. Relativity, and all.

Maybe the stranger would have succeeded in whatever it was he wanted to do, except that he really did just show up. Appeared, like a ghost made flesh, right in the backyard. Clark, thank goodness, was out in the fields with Jonathan. He couldn’t bear to be alone, that boy, and they could never bear to leave him.

Which left Martha free to shoot the ghostly intruder in the face.

Martha had not always considered herself a shoot first, ask questions later sort of a person. But that was before she found a baby in a spaceship where her corn was supposed to be.

They’d switch off, Jonathan and her, who got Clark and who got the shotgun. Martha got the shotgun more often than not. Guns made her husband uncomfortable. She was hardly a fan, but she’d always been a terrible pacifist. Too determined to defend herself.

The sight of all that blood and brain and bone was still nauseating. She compartmentalized, told herself it was no different from slaughtering a cow; didn’t think about riot gear or tear gas or the friends she’d lost or all the things she’d moved away from when her heart couldn’t take it any longer. This was different. This was her son.

She prodded the corpse with her foot. It remained a corpse. A real nasty looking corpse, all big and burly and holding a gun much too large. She didn’t like making assumptions based on appearances, but she didn’t imagine he’d been coming for anything nice. She bent down to search his pockets, found a metal wallet and flipped it open.

Born 2018.

Well, hell. Wasn’t that just a kick in the pants?

Probably she ought to have been a bit more unsettled than she was. But she’d been waiting two years for someone to show up on her doorstep, men in black or UFOs or something. Hell, she’d half expected her sweet little boy to hatch into something worse.

Just because she brought home space babies didn’t mean she was a damn fool.

Jonathan had rejoined her in long strides, was holding Clark in such a way that he couldn’t see the corpse on the ground. “Well, shit,” he said.

“Eyup,” Martha agreed.

“Don’t look government.”

“Nope.”

“We burying him?”

“I’ll bury him,” Martha said, standing up. “You get Clark inside and read him a book or something. I don’t want him seeing any of this, getting him messed up in the head.”

“You sure? Looks heavy.”

“That’s why we have a wheelbarrow. I’ll stick him out behind the barn, might as well keep all our secrets in one place.”

Martha had a long time to think as she dug a time traveler’s grave. There were a lot of reasons someone might travel back in time trying to kill her kid. The first was her instinct as a mother, which was: he was a fucking asshole. Who killed a kid? Fucking assholes, that was who.

Now, it was also possible that her sweet little boy grew up to be some kind of space Hitler. She didn’t think she’d raise that kind of a kid, but she didn’t suppose there was any parent who set out to raise a Hitler.

Still didn’t sit right with her. She didn’t much like the idea of killing baby Hitler, either.

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fierceawakening:

roachpatrol:

zionistmooncolony:

fromchaostocosmos:

When Superman: Man of Steel came out people were saying that the film was too gritty and cynical and it was that cynicism that destroyed the Superman we have always know and loved.

That it was that very cynicism that had Superman break his cardinal rule of do not kill and had him that very thing, kill.

As the reviews come out about Batman vs Superman and the bleakness and cynicism of that film I posit that the reason Superman has killed and the reason he is so unrecognizable as the hero we grew up with and the hero we loved and looked up to is because every essence of his Jewishness has been meticulously and calculatingly been scrubbed out.

Superman was written by two Jewish teens in the early 30′s and they imprinted onto Superman a Jewish identity.

Superman is in Diaspora. His homeland gone, his language, his culture, and his heritage both alien and foreign to were he lives. Living day to day with a part of himself hidden so as to be live a somewhat unmolested life.

He must struggle with what it means to be a member of his people while not having his people or culture around him and while having the outside culture imposed upon him and expected to assimilate to this outside force.

A great example of this can be seen oddly enough in Man of Steel when Lois Lane asks Superman what the S on his chest stands for. He tells it means hope in his people’s language and Lois responds by saying that here it is a S.

Superman is expected to accept this new reality and to let go of his culture and understand that he must rather assimilate instead. That he must let go of what it means in his language and culture and understand that it is now a S.

It is the internal struggle of the Jew. To survive in Diaspora. To endure and still maintain a sense of self and one’s roots. To keep your people’s language, customs, and culture alive especially surrounded by a world where you are the alien. You are the foreign being and you must assimilate and then be grateful that you were allowed to be forced to assimilate in the first place.

Superman has two masks. The mask of Superman and the mask of Clark Kent. Kal-el, is the face of Superman and not the mask. Kal-el is the struggle to survive when you are the alien.

Superman in the films and especially Man of Steel and even more so in Batman vs Superman is meant to be a jesus figure. A Messiah.

But that is not what he really is. He is rather the personification of Tikkun Olam.

Tikkun Olam is that each and every person is obligated to fix the world. To leave it a better place that when it was when you got there. To work towards justice, peace, and truth, the three pillars of Judaism.

Superman is meant to reflect what each of us can be. What we should be and should do. That when given the opportunity to good we should take it with both hands. That is whatever way we can with whatever our own abilities and powers are we should help others when given the chance. That is Tikkun Olam and that is Superman.

The new Superman does not fail because it is cynical. The new Superman fails because he is not Jewish.

You forgot to mention that kal-el, which in Hebrew is famously and intentionally spelled קל א-ל means “voice of G-d”. His story specifically was based on that of Moshe in many ways. His father and mother – knowing that if he stayed with them he would only find death – placed him in a basket. And that basket, they floated down a vast river. The river of stars and particles, and seemingly nothingness. A nothingness that swallows everything which has falls into it. And that basket came to a place where he could grow up, and where in the end, he was needed. I personally don’t know much about the movies – my job as colony paper pusher leaves no time for such fun, but I agree with you. To erase superman’s jewish identity is to erase superman and create an entirely new character, empty and devoid of its original meaning and purpose.


Administrator

Running with this, I want to point out fundamentally different approaches between Christian and Jewish traditions on heroism, and good and evil. To simplify a couple hundred years of literature and parable: in Christian fantasy, you have to eradicate evil. The narrative of Christian goodness is generally a strenuous, violent opposition to badness, and frankly this moral philosophy makes people really fucking dangerous, because in order to define themselves as good, they have to be fighting something bad. Purge their sins, slay their demons, drive out the unbelievers. In Jewish fantasy, to do good, you have to actually find things to do that are helpful and needed. It’s not so oppositional, it’s… supplemental. If no one is helping someone, you help them. If no one is fixing something, you fix it. The hunger of children is as important as the enemy at the gate. Kal-El, the voice of god, protects his people both as a super-man and as a human reporter. In both cases, on both stages, he asks people to stand up for truth and justice, and to stand up for each other. 

I did not know this and it is VERY NEAT