grednforges:

But they don’t win, those people. I can be a police officer now because people like Rosa Parks fought that battle for me. For us. And in fifty-three years, they’ll have a black president as leader. Who knows where they’ll be fifty years after that, but that’s proper change. What? Were you born this positive? Guess so. Must be my Mexican blood.

Yet Hamilton shows how historians’ reliance on documents can make telling history precarious. In a pivotal scene after Hamilton has betrayed his wife, Elizabeth (called by her nickname Eliza throughout the play), she burns the letters he has written to her over the years. It’s an imagined scene that nonetheless demonstrates powerfully how fragile the historical record can be. She sings, “Let future historians wonder how Eliza reacted when you broke her heart,” deliberately asserting her agency over what is remembered. Miranda ends the production with Eliza, too. The cast joins in song to explain that after Hamilton’s death it was Eliza who collected his papers for preservation. The lesson is clear: the sources historians rely on to craft historical narratives exist not by some consequence of nature, but because people like Eliza Hamilton worked to preserve them.