Chatting with some fic writers tonight and just wanted to remind everyone how important it is to comment on fics you enjoy. Particularly WIPs. Writers are putting themselves out there and it is scary. Comments give them courage and kept them going.
What is significant about fan fiction is that it often spins the kind of stories that showrunners wouldn’t think to tell, because fanficcers often come from a different demographic. The discomfort seems to be not that the shows are being reinterpreted by fans, but that they are being reinterpreted by the wrong sorts of fans – women, people of colour, queer kids, horny teenagers, people who are not professional writers, people who actually care about continuity (sorry). The proper way for cultural mythmaking to progress, it is implied, is for privileged men to recreate the works of privileged men from previous generations whilst everyone else listens quietly. That’s how it’s always been done. That’s how it should be done in the future, whatever Tumblr says.
But time can be rewritten. Myths can bend and change. Something new and exciting is happening in the world of storytelling, and fans are an important part of it.
Do you ever just sit there utterly consumed in something you love and then it sort of dawns on you… these people are fiction, these events are not real. And I can’t stop obsessing.
So, the Doctor stopped his death on Trenzalore…
-So his grave was never on Trenzalore
-So Clara could never have jumped into the Doctor’s time stream
-So Clara never got splintered through time and space
-So Clara never met the Doctor in 19th century London
-So the Doctor never went to find Clara
-So none of Series 7 makes sense.
On LGBT characters in Star Trek
[I found this while searching back through my blog for another post – it was a response to a reply I had gotten on a post, but I felt that, in light of our recent discussions about the reboot/representation in future Trek, maybe I should share it again, because I don’t think I’ve ever said it better than I did here.]
Why the hell shouldn’t I expect an LGBT crewmember and LGBT relationships from Star Trek?
They had one of the first televisied interracial kisses.
They had one of the first televised same-sex kisses.
They had an Asian man and African woman and a Russian on the Bridge of the Enterprise in the height of the Cold War!
So I’m sorry but like hell I can’t expect it to break every barrier. That’s been its mission statement from the very first episode.
You’re right though, it has addressed it, in a single episode of DS9 – one of the many reasons I adore that series more than I ever will Voyager or Enterprise. Because the showrunners of DS9 weren’t afraid to push the envelope, and they made a better show because of it.
People have been calling for a LGBT character and relationship since the Next Generation first aired. By the time it got to Voyager, the showrunners started saying that they ‘wanted’ to do it – Kate Mulgrew even apologised for never having it on her show, saying that she pushed them to do it but they never did.
There were rumours they’d finally have a LGBT character on Enterprise, because again they said they’d do it, but it didn’t happen.
Why? Because the showrunners (i.e. Braga and Berman) were too busy putting attractive women in sexy clothing to bother pushing any more boundaries.
By your logic, it’d be ‘strained’ for the crew of the original Enterprise to represent so many cultures, or to even have a woman on the Bridge, considering the time it was made in. That kind of justification would have resulted in a show so unremarkable it wouldn’t be remembered today, let alone cherished as much as it is.
So I’m sorry, but there is no excuse for the creators not having an LGBT character in Star Trek, considering they’ve been on TV since the 90s, and it’s already 2013. It’s time that Star Trek got with the times and began pushing the envelope again. Because quite frankly, having a gay or lesbian character on a show isn’t pushing any boundaries any more.
When they get around to making a new Star Trek series, you bet your ass I’m going to expect not just one LGBT character, but multiple.
And a full fledged, long-term romantic relationship, because LGBT people deserve a representative on a show that is supposed to be showing us a better future.
lord grant me the strength to accept the plot lines i cannot change
courage to continue to watch the show
and wisdom to remember i am not a member of the psychotic part of the fandom
amen
I will fear no canon. For Thou art with me. Thy fanfic and thy meta, they comfort me
Forever and ever AO3
Crap is a sign of life. New bad stories are a sign that this genre — fan fiction, the genre I adore the most – is alive and well. Bad stories mean new people are trying to write in it, and people are trying to do new things with it, and maybe new people are joining the audience, too. When only the best and most popular are writing in a genre, it’s on its deathbed. (See: Westerns and Louis L’Amour.) I want this genre to be here forever, because I want to read it forever. So I’m happy that teenagers are posting Mary Sue stories to the Archive of Our Own.
Does that mean you have to be happy? Nope. I can’t make you do anything. (I can think you’re wrong, but hey, being wrong on the internet is a time-honored tradition among our people.) But when you start making fun of a writer and bullying her in the comments of her story, simply because she’s writing something you think is bad and embarrassing, well, that’s when I say: shut the fuck up or get the fuck out. Because she’s not a problem. She’s just doing what we’re all doing — having fun, playing with words, throwing something out there on the internet to see if other people like it.
But you. You’re trying to stop someone from having fun. You’re trying to shame people into not writing anymore. And that, folks — that is the definition of shitty behavior. (Mary Sue fantasies, on the other hand, are just the definition of human behavior.) It’s bad for people, it’s bad for the future, and it’s bad for the genre. So you’re a problem.
thefourthvine – In Defense of Bad Writing (via jerakeenc)
This? Is really, really important (not re: me, as I am old, mean, and soulless, but re: writers who are not old, mean, and soulless), especially when you are talking about public commentary, and especially when you are talking about commentary that is unsolicited.
If you really want to improve the quality of Fic At Large, by all means, strike up relationships where you can have meaningful dialogues with other writers and provide trustworthy and meaningful commentary on their work, and (ideally! mutual beta love is the best love!) where they can do the same for you. In fact, if such a concept tickles your fancy, I know of a writing/making shit club that you might find interesting! But there is a world of difference between participating in a community in which people mutually solicit and provide suggestions for one another to help each other out, and leaving mean, snarky, abusive comments directly on someone else’s fic.
This is extra extra true if you could be construed as being in a position of power relative to them, which, if they are a new writer and you are not, you are.
(via fizzygins)
I do not have enough words or reaction gifs to truly emphasize just how incredibly, incredibly important this is. The culture of mocking fanfiction on the internet (which almost always entails mocking girls when they write, and particularly young girls) is toxic and really sexist at its core, and, in a culture that mocks literally almost anything and everything young girls do, takes away one more space for young girls to do things. And those spaces are really, really important, because they’re places where young girls are creating and sharing things because they want to—they have a vested interest in this thing, and are taking a really big risk by trying something new (writing) and sharing it publicly (AO3, FF.net, wherever) for others to read (who are, more often than not, strangers, even in fandom communities). And mocking that process or leaving vitriolic, spiteful comments, mocks the girl who took that risk. And that’s teaching her to not take risks; to not share her work; to not, in fact, write or create ever again. And that’s the most detrimental thing you can do—to a girl, to a community, to a genre, and to art and creating in general.
(via ally-wonderland)
also i’d like to note that there’s some painfully obvious self-insert, painfully badly written slash
some of it with an original male character, even
but it doesn’t get attacked like mary sue fic
which sends the message that girls and women can only find safety in identifying with male characters and living out their fantasies through male avatars
you’re not safe as a woman. what you want is wrong when channeled through a woman character. it’s only okay to want things if you imagine yourself male
trying to live out fantasies through a female avatar is evil and wrong and disgusting and deserved to be shamed into the ground
and that is sick and twisted shit
and ain’t nobody gonna convince me the overwhelming popularity of dudeslash isn’t pernicious while that double-standard exists
are there women and girls who would independently enjoy fantasizing through male characters in dudelsash if there weren’t that obvious, coercive fandom pressure?
of course
but as long as the pressure is there, you cannot fucking tell me it’s not shaping how women and girls feel and where they direct their pleasure and you cannot pretend that the predominance of dudelsash is entirely innocent and simply a byproduct of female fans following their bliss
not when certain avenues of bliss are ruthlessly cut off by misogynistic hate
(via mswyrr)
I recently printed out a couple SuperWood logos to put up on my cubicle walls, and it plus the Hunger Games refresher from last night makes me thoughtful about the way we – as fans – communicate with one another through symbols.
My first experience with a convention led me to start amassing a…